By Amanda J. Clay When you first start out on your publishing journey, you’re going to do all the things. And I mean ALL. THE. THINGS. Like any entrepreneur or small business owner, the start-up phase is hectic. You are creator, CEO, CFO and office manager. All day, every day. But as your writing business
Read MoreGetting a Book Published
Will you take the leap in 2022?
By Amanda J. Clay Is 2022 the time to level up? I’ve talked all year about the business side of publishing and I’ve thrown a LOT of information at you. Like any industry, building a successful publishing business is tough. It takes time, money, and market research and lots of dedication. You’ll have to wear
Read MoreFrom Unknown to National Expert in A Year
By Joey Garcia When Karlee Vincent attended Writing for Change in 2019, she was an unpublished, unknown writer. In 2020, she was interviewed by Ms. Magazine, CNN.com, The Tamron Hall Show and joined the TODAY Parenting Team, the TODAY Show’s blog for raising children. Her first essay for Red Tricycle gained 65 shares in ten
Read MoreNew Year, New Day in Publishing
On March 27th SFWC Director Laurie McLean gave a presentation as part of the Mechanics Institute – San Francisco Writers Conference partnership entitled: New Year, New Day in Publishing. Here is the Powerpoint presentation for anyone who would like to see her thoughts on publishing in 2021. New Year, New Day in Publishing
Read MoreThe Importance of Perseverance with Best Selling Author, Meredith Jaeger
Subjects covered Meredith Jaeger is the author of two dual-narrative historical fiction novels: The Dressmaker’s Dowry, a USA Today bestseller, and Boardwalk Summer. Asked about her motivation for writing The Dressmaker’s Dowry, Meredith explained that, depressed by the gentrification brought about by the tech boom, she wanted to write about San Francisco’s history to help
Read MoreProcess and Publishing with Romantic Suspense Author Amanda Clay
Although Amanda Clay writes “genre fiction,” she agreed that most writing falls into one or more genres; so, the term is probably somewhat redundant. Asked about what she likes about writing romance suspense novels, Amanda cited putting her protagonists into difficult situations, creating villains, and human interaction. Amanda explained that a successful romantic subplot –
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